Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 538

ID: 47793

unknow artist Arab or Arabic people and life. Orientalism oil paintings  538
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unknow artist Arab or Arabic people and life. Orientalism oil paintings  538


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 219. | romersk vaggmalning me3d kvinna i grekisk drakt | Horseback Rider at Echo Lake | Still life floral, all kinds of reality flowers oil painting 179 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 266 |
Related Artists:
KNUPFER, Nicolaus
Dutch/German painter (c. 1603-1655)
James Caldwall
British b.1739 d. in or after 1819
MEMLING, Hans
Netherlandish Northern Renaissance Painter, ca.1435-1494 South Netherlandish painter of German origin. Together with Dieric Bouts I and Hugo van der Goes, he was one of the most important exponents of the new artistic developments that flourished in the southern Netherlands in the 15th century in the wake of Jan van Eyck, the Master of Fl?malle and Rogier van der Weyden. Their principal innovation was to apply optic realism to devotional or mystical subjects. Although Memling lived in the turbulent period of transition from the Burgundian ruling house to that of the Habsburgs, little of this is evident in his work. His commissions were almost exclusively from rich burghers in Bruges (bankers, merchants and politicians) or churchmen and the occasional aristocrat. Often they were foreigners, especially Italians, who had political or financial connections with the town, whose central economic position was to last only a few decades longer. They had Memling paint their portraits, bust or full length, in devotional paintings or on altarpieces for their chapel in Bruges or back home. He seems not to have received official commissions (from the town council or court). An exceptional proportion of this oeuvre has survived. Besides about 20 altarpieces, often in several panels and of considerable size,






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